Danny Mehra Carpets

Copyright mehra carpets 2017.

Danny mehra carpets.

While there was an instant urge to collect more. Rashbehari das there are few things that get bangalore based danny mehra as fired up and happy as finding irregularities in the designs of what he calls informal carpets. Walking into danny mehra s private studio which houses his extensive collection of tribal carpets is like stepping into colour and design heaven. Danny mehra s astonishing carpet collection is truly something to behold.

Akhila ranganna walking into danny mehra s private studio which houses his extensive collection of tribal carpets is like stepping into colour and design heaven. Danny mehra delivers a talk on the iconography found in tribal carpets. Danny gave us a talk on the iconography used in tribal carpets. Compulsive collector danny mehra collects not just the rugs but also the countless stories behind them.

Man s world november 2017. There are carpets as far as the eye can see mounted on walls stacked on beds and piled on the floor. Danny mehra s interest in carpets started in 1983 thanks to his mother in law who gifted the newly married couple two azerbaijani tribal carpets. We looked at and understood the.

There are carpets as far as the eye can see mounted on walls stacked on beds and piled on the floor. Intricate designs crafted especially for you. Meet danny mehra a collector who will have his first exhibition and sale of his priced carpets for bangaloreans. Love for visual art can manifest in.

Danny mehra s collection of rare tribal carpets is on show at the india international centre. Collector danny mehra showcasing an exhibition carpet stories an anthology of rare tribal carpets from persia iran anatolia turkey the caucasus armenia azerbaijan georgia dagestan central asia uzbekistan kyrgyzstan turkmenistan and various kurdish enclaves. The carpets were made of sheep wool and were woven primarily by the women. Danny mehra at india international centre new delhi.

The men were in charge of dyeing and selling.